Hans’s incarcerations repeatedly reunite him with Viktor (Georg Friedrich), a one-time cellmate whose initial hostility evolves into something deeper. Hans Toch, The Pains of Imprisonment ( 1982 ), p. Time ceases to have the same meaning behind bars, but thanks to a striking physical transformation, Rogowski guides us through a nonlinear storyline spanning 1945 – Hans is released from a concentration camp only to be imprisoned immediately for the crime of his homosexuality – to 1969 and the repeal of paragraph 175. ( gay jail inmate sexually abused and killed by another inmate ). And Franz Rogowski’s remarkable, contained performance as Hans Hoffman, a gay man who spends much of his life in prison, persecuted for his sexuality in accordance with paragraph 175 of the German penal code. A bruised light, which gives everything and everyone a half-dead pallor. ![]() SIXTEEN Gay and bisexual men raped by men: an invisible group in social work in Sweden Hans. ![]() Sound design that hints at the aching emptiness outside the frame and beyond the walls. International Perspectives in Social Work Julie Fish, Kate Karban. Over the course of Great Freedom, he serves three jail sentences in 1945, 19 for having sex with men. The power of Sebastian Meise’s subdued prison drama comes not from big, brash moments but from subtle details. Its protagonist, Hans (Franz Rogowski), is a gay man who was sent straight from the concentration camps to prison under Germany’s homophobic law, Paragraph 175.
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